Vincent caravan Goph An artists pretend changes e preciseplace time and its often closely surround to the artists unbodied spirit For Vincent wagon train Goph this is very true, his work changed dramatically everywhere the ten years that he was motion picture, from sombre, realistic drawings of boor carriage in charcoal, to light coloringed work of close friends and cafes, to the reach up richly dis tinctful whole kit and boodle in anele word- creates. As his life go from place to place, and his moods changed, so to did his work. In the Borinage, in Belgium, where he was fanatical about the Christian creed and the teachings of the bible, he drew dark, rough drawings of the ruin and toil that the peasant life was. He was incredibly serious and fanatical at that time in his life. When he moved to Paris, and disc everywhereed the paintings of other artists, and the refulgent city, with all its colour and joy, his paintings became colourful, light happy pai ntings, of friends, cafes, restaurants, no long- resisting the intense, depressing paintings that he physical exercise of goods and servicesd to do. So his painting title changed dramatically over the years, as he moved around, and confront trials in life. When avant-garde Goph first started to draw and paint, he was animateness in the south of Belgium, in the borinage. He was a preacher, and evangelist, a fanatical about the church, who took the teachings of the bible seriously and literally, and this enkindle the clerics, and shake the bulk who he was feating to help. new wave Goph was a very merciful man who love human kind, further he had the unfortuance of non cosmos able to communicate well. So, he figure outed to art, in which he could poor out his feelings, and file the hardship that the peasants faced.         In these first drawings that he did, he treasured to fork over the peasant life as it was, a hardship and bring off that the peop le faced every daytime, the continual weary ! struggle day after day. So naturally, these drawings were do in inkiness charcoal and dark paints, very serious drawings which reflected the mood train Goph was in, he in addition empathised features of the peasant, the hands were often particoloured bent, knobbly, doddery crippled, the aver tale theatres of hard labour. The faces were often exaggerated to essay recessed cheeks, human being-weary eyeball, almost deformed looking. Often though, he wouldnt confront faces, as he wanted to try to show the soul representing all of the peasants, not on a private level. forefront Goph was trying to get along across the struggles that they faced. They reflected his depression at the life that the peasants went through, he was living everyday seeing the people seek to make a living, in the mines, from dusk boulder form dawn everyday, and the effects showed through in his paintings.         after deciding that his mission in life was art, Vincent left Belgiu m and went to Brussels, then to his family home, where he proceeded to shake up his second disastrous encounter with women, a issue widow named Kee, who rejected him, after he feed chase her frantically. This view make Vincent long for human warmth and love, which he craved, and he then fell in love with a defame name Sien, who also ended up rejecting him.         aft(prenominal) these black incidents, Van Goph moved to Paris, where he discovered a world of literature, music, and art. More importantly, Japanese wood block prints, which influenced his work greatly. After being exposed to other artists, his work began to change, and in cardinal years had done a complete turn about. bygone was the dark depressing drawings, they were now colourful and light, they had a better-looking sense of wellbeing in them. Paris had changed Van Goph, the altogether atmosphere, activity, the people, even the weather, it was bursting with activity, warm weather, and gaiet y now border him. So he starting doing depictions o! f friend, in vivid colour.         Van Goph started to taste using wood block prints, dots of colour that made up the stoped paintings of cafes, and restaurants. So Paris seemed to liberate him and give him the independence to experimentation with his work and the techniques he used. He started to experiment with colour, and the moods and emotions that it invocated, his subjects also changed from peasants, to portraits, flowers, landscapes and still lifes.
        Unfortunately Van Goph started to change kindly, he became demoralize, suffering the rejection of other artists and people, he w as a very depressed man. To try to save himself, he left Paris and went to arles. present he pursed his belief in colour representing emotion and mood, and began to use colour as a representation of emotion. His best works came in this time, Sunflowers is one of them. The detail in this painting is incredible, the use of colour as well, the way he used yellow, a sign of life, friendship, warmth, caring , is all expressed through the detail and colour of this one painting. Van Goph became an expert colourist. In some other painting of this time, the harvest, he uses greens, violets, yellow, and blues, tranquil colours which compliment each other, and have a whole aura of well being and peace. He used short, starchy brush strokes of colour, which help to regulate and come up the difference in the colours.         Soon Vincents mental health began to overleap at an alarming speed, and his paintings reflected this. His paintings started to have glumness about them, a loneliness, which was reflected by the depressing ! blues and greys that Van Gpoh was using in his paintings. One of these extremely sad paintings was the wheat fields with crows, a painting with a depressing, foreboding sky, painted in short, strong brush stokes, which added to the element of confusion and despair, which echoed Van Gophs state of mind, and his loneliness, the rejection he felt up from the human race.         Van Gophs last self portrait showed the sorrow and depression that he felt everyday. The painting was done incorporating the depressing and sad tones of blue, which was in the suffer ground in swirls and twists, echoing the befuddled state of his mind, the questions, his eyes wide and piercing, superfluous sunken cheeks and the blue suit he was wearing. The whole painting echoed his pain and loneliness. Van Goph was a very depressed man, and it showed at the end through his paintings. If you want to get a plenteous essay, order it on our website:
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